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Some of Rays
earliest memories include being surrounded by music and musicians
growing up just outside of Detroit, Michigan. Ray was involved in
choir from an early age and learned his initial guitar licks from
his older brother, John, who had his own rock'n roll band in the
60's. The Detroit sound was a huge influence at the time and Motown
was at it's peak.
In high school Ray received formal voice
training and soon earned the respect of his peers by winning his
division in the Michigan State Solo and Ensemble Festival. Later Ray
would travel to England and France to perform solo and won a music
scholarship to Western Michigan University. During this time
Ray also enjoyed modest artistic and commercial success, performing
solo on guitar, and playing drums, his "first instrument" for local
bands. Ray looked up to Paul McCartney and Stevie Wonder "because
they were complete musicians...they could write great songs, and
play several instruments, and sing."
By his mid-twenties, Ray
was working as a musician full time. He sang, played drums and
eventually managed "The Inversions," one of the hottest dance bands
in the Detroit area. He also continued to develop his vocal talent
under renowned Broadway vocal coach Ray Taylor.
Ray vividly
remembers his introduction to Slack Key guitar when he moved to the
islands over a decade ago. He studied under Ozzie Kotani and Raymond
Kane and learned the nahe nahe sound. He performed with Kane at the
1994 and 1996 Bank of Hawaii Ki Ho'alu Festivals. He has now
been appearing at the Slack Key Festivals on his own accord in
2003, 2004. This year, on 3 island festivals: Maui, O'ahu and the
Big Island. He also had the honor of performing with Na Hoku Award
winner Kawai Cockett at the Merry Monarch Festival in 1994 with
Halau Mohala Ilima. Another outstanding memory was playing for
a standing room only crowd at the American Embassy in Paris, France
in May, 2000.
Ray has shared his passion for Hawaiian music
with his wife, Sue, (a member of Halau Ka Liko O Ka Palai).
You'll often find her dancing hula at Ray's performances, they study
Hawaiian language together. Most recently Ray has been
learning ukulele and studying slack key guitars connection to hula,
from Kumu Ainsley Halemanu. He stays active in various recording
projects, and promoting his 2 CDs "Kukuna Mehana", and
"Hoomalie."
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